The most recent incarnation of Danzig, featuring Johnny Kelly, Tommy Victor, and Glen Danzig, returns with Deth Red Sabaoth. The follow-up to the hard rock bombast of Circle of Snakes brings with it some very mixed feelings, but one thing cannot be argued…for the first time in a long time Danzig is getting noticed in a big way on this one.
What is immediately noticeable here is the fact that the production on this album is a million times better than Circle of Snakes and 7:77- I Luciferi. This is probably the best sound Danzig has had since the inaugural duo of albums. The new album is also a lot more dynamic, laying off the hard rock sound just enough to add back in the creepier elements of the early albums (which gave way to the emerging processed sounds of the band throughout the late nineties). As a matter of fact “On a Wicked Night” and “Deth Red Moon” are arguably some of the best work Danzig has ever done. “Hammer of the Gods” punishes like the glory days as well while “Pyre of Souls” is the kind of explosive jam that will surprise listeners for sure (and is certainly also a highlight track). Deth Red Sabaoth is more dynamic than probably any other Danzig record by far.
So, there’s a lot to be happy about with this album. It’s not without its weaknesses though. For one, the songs here (while dynamic) aren’t the caliber of the last couple albums. They may be better produced but overall they just aren’t as memorable. Maybe the riffs are memorable, and don’t get me wrong there are three or four spectacular songs here, but overall I just think the songs, particularly on Circle of Snakes, were better. The other sticking point here is Danzig’s voice. He’s sounded strained on the last few albums and he sounds like his voice is nearing the end on this one. Is it an intentional studio trick or sound? Maybe. If it is as it sounds though then it should be no surprise why the legend doesn’t tour much these days.
Overall, I’m happy to see Danzig getting better sales and better packaging and better production. I love the dynamics of this record (there is definitely some creepiness ala Samhain on here) and I love a handful of songs but something about just doesn’t resonate with me the way Circle of Snakes and 7:77 – I Luciferi, or even the amazing The Lost Tracks of Danzig did. If you have stuck with Danzig through it all, you’ll enjoy this album. If you are new to the legend’s work then you’ll probably love this album.
Reviewed by Mark Fisher
