The Libertines and Babyshambles alum Peter Doherty returns from the world of art and fashion to bestow upon the masses his first ever solo album. Though his previous works made him a loved (and hated) media darling, they also turned rock and roll lovers heads heavily toward him. Doherty pulls a fast one here though as he enters his thirties, veiling his former rock and roll self in expressive, at times even ambient, illusion.
Intimately titled Grace/Wastelands, this album is exploratory if nothing else as Doherty weaves a tapestry rich with folk and classic rock influence that leans heavily towards the independent spirit of new millennium music. The loose, yet strikingly controlled feel of “Salome” and the Ragtime-ish “Sweet By and By” are definite highlights here. The former for its reflective prose and latter certainly for the daring nature of its inclusion. It’s the bluesy and broken sound of “Broken Love Song” though that truly shines. Doherty’s minimalist approach to both the song and his vocals draw you in quickly and command your attention throughout, capitalizing on every opportunity to make the listener a part of the song. The more folk-twisted “Arcady” and “1939 Returning” are wonderful moments as well that put the focus squarely on Doherty’s undeniable songcrafting talents.
Overall this is a shockingly strong debut. To read the tabloids you’d likely assume Doherty to be the world’s most disastrous young talent, squandering his life away. Grace/Wastelands proves otherwise and does it with Doherty’s usual flare, albeit toned down a touch. If you enjoy artists that lean towards the more emotional side of music- from U2 and Coldplay all the way to Bart Davenport and Sandy Dillon- then you’ll certainly find much to love in Peter Doherty’s inaugural solo release.
Reviewed by Mark Fisher
